After the Event New Perspectives on Art History Pdf
"Nature is non only all that is visible to the eye...It as well includes the inner pictures of the soul."
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"I close my eyes in social club to encounter."
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"I dream of painting and then I paint my dream."
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"A work of fine art which did non brainstorm in emotion is not art."
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"Who speaks of art speaks of verse...In that location is not art without a poetic aim...There is a species of emotion item to painting. There is an effect that results from a certain system of colors, of lights, of shadows. It is this that one calls the music of painting."
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Summary of Post-Impressionism
Post-Impressionism encompasses a wide range of distinct artistic styles that all share the common motivation of responding to the opticality of the Impressionist movement. The stylistic variations assembled under the full general banner of Post-Impressionism range from the scientifically oriented Neo-Impressionism of Georges Seurat to the lush Symbolism of Paul Gauguin, but all full-bodied on the subjective vision of the artist. The movement ushered in an era during which painting transcended its traditional function every bit a window onto the world and instead became a window into the artist's mind and soul. The far-reaching aesthetic impact of the Mail service-Impressionists influenced groups that arose during the plough of the 20th century, like the Expressionists, besides as more than contemporary movements, like the identity-related Feminist Art.
Cardinal Ideas & Accomplishments
- Symbolic and highly personal meanings were peculiarly important to Post-Impressionists such every bit Paul Gauguin and Vincent van Gogh. Rejecting interest in depicting the observed world, they instead looked to their memories and emotions in social club to connect with the viewer on a deeper level.
- Structure, order, and the optical effects of color dominated the aesthetic vision of Postal service-Impressionists like Paul Cézanne, Georges Seurat, and Paul Signac. Rather than merely represent their surroundings, they relied upon the interrelations of color and shape to draw the earth effectually them.
- Despite the various individualized styles, most Postal service-Impressionists focused on abstruse form and blueprint in the application of pigment to the surface of the canvas. Their early leanings toward abstraction paved the way for the radical modernist exploration of abstraction that took identify in the early on-20th century.
- Critics grouped the diverse styles within Mail service-Impressionism into two general, opposing stylistic trends - on i side was the structured, or geometric mode that was the precursor to Cubism, while on the other side was the expressive, or not-geometric fine art that led to Abstract Expressionism.
Overview of Post-Impressionism
Though Paul Cézanne famously said, "I will amaze Paris with an apple tree," he turned away from Paris (just non from fruits) for a quiet life in Provence where he painted, as he said, "nature past means of the cylinder, the sphere and the cone." His artistic arroyo launched one of the four major trends in movement now defined equally Post-Impressionism. And his movement to the countryside became a model for other Post-Impressionist leaders including Signac, Gauguin, and van Gogh, who as well worked and lived in the Due south of French republic.
Key Artists
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Paul Cézanne was an influential French Postal service-Impressionist painter whose depictions of the natural world, based on internal geometric planes, paved the way for Cubism and later modernistic art movements.
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Vincent van Gogh was a Dutch painter, ordinarily associated with the Post-Impressionist catamenia. As one of the nearly prolific and experimental artists of his time, van Gogh was a spontaneous painter and a primary of colour and perspective. Troubled by personal demons all his life, many historians speculate that van Gogh suffered from a Bipolar disorder.
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Paul Gauguin was a French Mail service-Impressionist artist who employed colour fields and painterly strokes in his work. He is best known for his primitivist depictions of native life in Tahiti and Polynesia.
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Georges-Pierre Seurat was a French painter who gave rise to the Post- and Neo-Impressionist artistic styles of the late nineteenth century. Seurat'due south greatest contribution to modern art was his development of Pointillism, a style of painting in which small dots of paint were applied to create a cohesive prototype. Combining the science of optics with painterly emotion, Pointillism evoked a visual harmony never before seen in mod art.
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Édouard Vuillard was a French Post-Impressionist painter especially known for his interiors and domestic scenes. A fellow member of the Les Nabis group, his works are characterized by rough areas of color, pointillist daubs and dots, and decorative patterns that spread out beyond groundwork fabrics and wallpaper.
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The French artist Pierre Bonnard, although dismissed as old-fashioned by some of the avant-garde in his lifetime, was esteemed past gimmicky colorists like Matisse. A member of the Nabis group in his youth, his innovative paintings play with light, decorative surfaces, and Impressionist techniques.
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Henri Rousseau was a French self-taught painter. His most famous works, done in his characteristic flat figurative way, show surreal and dream-similar scenes in primitive or natural settings.
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Henri de Toulouse-Lautrec was a Post-Impressionist artist who depicted the dancers, prostitutes, drinkers, and other characters of fin-de-siecle Paris. He is known for his paintings, his caricatures of friends, and his well-designed posters for Parisian dance halls.
Do Non Miss
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A movement in painting that first surfaced in France in the 1860s, it sought new ways to describe effects of light and motility, often using rich colors. The Impressionists were drawn to modern life and oft painted the metropolis, simply they also captured landscapes and scenes of middle-class leisure-taking in the suburbs.
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Cubism was developed by Pablo Picasso and Georges Braque between 1907-1911, and it continued to be highly influential long afterward its pass up. This classic phase has two stages: 'Analytic', in which forms seem to exist 'analyzed' and fragmented; and 'Synthetic', in which pre-existing materials such equally newspaper and wood veneer are collaged to the surface of the sail.
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Neo-Impressionism was founded by Georges Seurat in the 1880s. It brought a new and quasi-scientific approach to the Impressionists' interests in light and colour, forth with new approaches to the awarding of pigment, sometimes in dots and dashes. Its followers were drawn to modern urban scenes equally well as landscapes and seascapes.
Of import Fine art and Artists of Post-Impressionism
Dominicus Afternoon on the Island of La Grande Jatte (1884-86)
Seurat's Dominicus Afternoon is perhaps the most famous example of the painting technique known as Pointillism. Although the motion-picture show contains the impressionistic elements of calorie-free and shadow and depicts the leisure activities of the Parisian bourgeoisie, it is an early on example of the artistic reaction to the Impressionist motion. Seurat composed the entire scene from a series of small, precise dots of color. If viewed closely, the painting becomes nil more than a quasi-abstract array of colors, similar to a needlepoint. When viewed at an advisable distance, however, Sun Afternoon comes into focus. Seurat carefully placed each dot in relation to the ones effectually it in order to create the desired optical outcome. He did so in guild to bring structure and rationality to what he perceived were the triviality and disorganization rampant in Impressionism.
Vision Afterwards the Sermon (1888)
Gauguin studied in Brittany in the north of France where the unique history and customs represented a certain degree of spiritual liberty and archaic candor for Gauguin. While at that place, he painted Vision After the Sermon.
The painting, which depicts a revelatory vision of Jacob wrestling with an affections, clearly delineates reality and spiritual manifestation through aesthetic form. While the crowd of churchgoers who experience the vision is in the foreground, the Biblical struggle appears in the background, surrounded by a two-dimensional and vibrantly colored plane. Gauguin relied upon the abstraction of the cherry-red ground to communicate the space of the vision as well as the heightened emotions present at a religious revelation. Every bit this work demonstrates, Gauguin rejected the conventions of industrialized modern lodge, in both his art and his life, through romanticized evocations of the primitive, the incorporeal, and the mystical. In doing so, he helped initiate the individualized expressionistic vein of avant-garde art that influenced generations of artists throughout the 20th century.
Cocky-Portrait with Waroquy (1889)
Vuillard, i of the virtually renowned members of Les Nabis, is known for his intimate portraits of family members and friends every bit well equally his fixation upon decorative patterns. In this bold self-portrait, however, he centers upon the artist by placing his intense gaze front and center. He synthesizes the influences of Japanese woodblock printing, Pointillism, and the artistic tradition of cocky-portraiture with his personal ethics and goals for painting in this vivid self-representation. The broad brushstrokes and sketchy delineation of Vuillard'south features draw our attention to the materiality of the canvas, while the muted colors of the palette signal the artist'due south departure from observed nature.
Useful Resource on Post-Impressionism
Content compiled and written by The Art Story Contributors
Edited and published by The Art Story Contributors
"Post-Impressionism Move Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and published by The Art Story Contributors
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First published on 01 Jul 2013. Updated and modified regularly
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Source: https://www.theartstory.org/movement/post-impressionism/